Image Editing

A - 2
A second camera
Accessibility
Adding color adjustment layers
Adding the finishing touches
Adding to reducing and combining selections
Adjusting tights and darks
Angle the subject so that he is at about a 45degree angle to the camera lens
Archiving and Backing Up Photos
Arranging a PR event worth photographing
Arranging your lighting
Ask the parents for any special poses they would like
Authors Acknowledgments
Avoiding the Grip n Grin clich
Backing up your best shots
Backlighting
Balancing an Image
Baseball and softball
Basic lighting equipment
Basic Lighting Techniques for Shooting Multiple Sittings Quickly
Basketball
Begin darkening your image by dragging over the areas to be made more shadowy or by clicking a single spot
Blackandwhite or color negatives
Blending Tools
Blurring for effect
Blurring some or all of your image
Blurring the edges
Book IV Taking Great Pictures
Broad lighting
Bundled software
Buy a slide scanner
Camera bag alternatives
Capturing great sports moments
Cd - 2 3
CD h 4 5 6 7 8
Tools and Techniques of Composition
Making Selections
Mastering Digital SLR Controls
Sharing Pictures on the
Photographing People
Sports and Action Photography
Check out the Options bar shown in Figure 42 and decide whether you need to make changes to the range of tones that will be affected or to the exposure degree of intensity that the tool will apply
Choose EditOCopy from the main menu
Choose Unsharp Mask if its available in your image editor
Choosing a resolution
Choosing an Orientation
Choosing backgrounds
Choosing key features for travel photography
Choosing one main subject
Choosing Pointing Devices
Choosing power sources
Choosing subject distance
Choosing the revival method
Choosing Your Sport and Your Spot
Cleaning kits
Click andor drag over the area to be sharpened
Click the Clone Stamp tool in the Tool palette to activate it
Color depth
Company events
Composing effective group shots
Composing your shots
Configuration
Converting a blackandwhite photo to sepia tone
Coping with shutter lag
Correcting color
Correcting Faded Colors
Correction Tools
Cotor Depth Confusion
Creating focus by sharpening images
Cs
D5c8602
Defining Camera Categories
Defining Macro Photography
Determining How Much Memory You Need
Digital Photography Studio
Dirt and dust
Displaying and moving the tab
Dont be afraid of dark shadows
Drawing freeform selections
DVD storage
Eight ukl Fullcolor referee gud
Electronic flash - 2
Entryle Vel scanners
Equalizing colors
Evaluating Your Printing Options
Executive portraits
Existing light - 2
Exploring magazine photography
External hard drives
Filling a shape with the Brush tool
Finding an artifacts source
Finger painting to blend colors and textures
Fire
First do a prescan which is the step that all scanner software provides to let you capture a preview image before doing the main scan
Fixing a color cast
Fixing color casts
Fixing redeye
Fixing small areas
Following up
For - 2
Gathering publishable photographs
Getting into book publishing and stock photography
Getting Nostalgic with Sepia Tones
Getting organized
Getting rid of unwanted contentBook
Getting the Most from Your Printer and Supplies
Go into the light with the Dodge tool
H - 2
Iui
Have the second subject lean slightly into the first person so that you Chapter 3 dont have any gaps between their bodies
Higherpriced gadgets
How the pros do it
Icons Used in This Book
If both eyes are glowing they usually are you can repeat this process for the second eye
If objects in the frame are moving or pointed in a particular direction make sure they are heading into the frame rather than out of it
If you have a large area to patch you can do it in small pieces repeating Steps 5 and 6 for each piece
If you want to apply an effect to your image not to text drag the desired thumbnail onto your image
If youd also like the Smudge tool to adjust the lights darks tones and colors of the area thats smudged choose an appropriate setting in the Mode dropdown menu
If your subject has strong vertical lines use a vertical composition
If youre happy with the preview click OK to apply the changes to your image
Il Preparing your originals ii Selecting resolution i Choosing other scanner controls
Incandescent lights
Index 719
Inexpensive or free gadgets
Info - 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
Intermediate scanners
Investing in an accessory flash
Js
Keep away from the light with the Burn tool
Keystoning
Kinds of scanners
Know some photography fundamentals
Let somebody else do it If you
Let the pros do it
Letting a Professional Do It
Lighting Basics
Lighting groups
Lights please
Look for shapes within your composition to add interest
Lowerend products shareware and freeware
M igitally captured and retouched photos live on your computer Thats
Main light
Maintaining consistency
Make sure that everyone is on steady ground
Make sure that your composition has only one center of interest
Making and adjusting selections based on color
Making geometric selections
Making Quick Fixes
Managing the group
Microdrive
Moderately priced gadgets
Murky shadows and washedout highlights
Narrowing down your subject matter
No movies
O
O 3 Co - 2
Offsite storage for maximum safety
Other photoworthy events
Other sports
P - 2 3 4
Painting over the dirt
Painting with the Brush tool
Panning
Pasting content from other images
PC Cards
Performing Photographic Triage
Photographing action sequences
Photographing groups of two to two dozen
Photographing people
Physical size
Pick a location that provides a strong backdrop for the speaker or ceremony
Picking up other useful devices
Place your frame in the foreground
Pointandshoot models
PR Photography
Preparing to Take Your First Portraits
Preparing your originals 1 Selecting resolution 1 Choosing other scanner controls
Prepping the filmsfi
Print out the caption and trim the sides and bottom to about a quarterinch from the text while leaving the top margin alone
Printing and Sharing Your Digital Images
Printing your PR photos
Prints
Producing placeable PR photos
Product demo shots
Product Photography
Product shot opportunities
Professional or prosumer scanners
Professional studio lighting
Ready aim
Rearranging parts of the picture
Recreating tost detail
Release the Alt or Option key and apply the cloned content by clicking to cover the unwanted content as shown in Figure 423
Removing Artifacts Tiny Blemishes
Removing dust spots
Repairing Vintage Photos The Basics
Repeat this process at least a half dozen times or more
Replacing Depth and Detail
Replacing whats been lost to rips tears and deep scratches
Rer
Resolution Mythconceptions
S - 2
S h 3 C
S s - 2
Scan quality
Scanner interface
Scanner speed
Scrutinizing tripod features
SCSI and ElDE hard drives
Seating your subjects
Security and convenience
Selecting a Subject and a Center of Interest
Selecting geometric shapes
Selecting in Quick Mask mode
Selecting magnetically
Selecting pixels by color with the Magic Wand
Selecting singlepixel rows and columns
Set the black points and white points and then choose your resolution
Setting up for predictable action
Setting Up Your Macro Studio
Sharing Your Photos
Sharpening
Sharpening here and there
Shooting adventure sports
Shooting in the Studio or on Location
Shooting panoramas
Shooting scenics
Short lighting
Slides
Smearing with the Finger Painting option
Smudging or blurring out the paint lines
St3ss
Start the camera utility software
Start with the best available original Dont use a copy print if you can
Submitting photos to your local newspaper
Submitting the photo
Submitting your photos
The diamond pose
The Magic Wand Tools Digital Prestidigitation
The Rule of Thirds
Timing your shot properlyBook IV
To keep as many images as possible available for nearinstant access
Transparencies
Triedand True Travel Photography Techniques
Try the Rube Goldberg approach
Turning photos into paintings with artistic fitters
Type of sensor
Types of scanners
Types of tripods
Understanding group photography basics
Understanding your organizational options 1 Choosing the right tools to organize and store your photos 1 Keeping your treasured photos safe
Use a background light to separate your subject from the backdrop
Use a transparencycapable flatbed
Use the camera manufacturers software or other file management software to transfer image files from the camera to the computer
Use the dialog boxs Eyedropper tool already activated within the dialog box to click the gray and then white and then black points in the image
Using and controlling the Smudge tool
Using Blurring and Sharpening Tools
Using Digital SLRs
Using layers to create overlapping images
Using multiple light sources
Using online galleriesJ0
Using secondary subjects
Using Straight Lines and Curves
Using the Healing Brush
Using the Marquee selection tools
Using the Options bar establish the following settings You can leave them at their default settings if you want but you might want to make adjustments
Using the Sharpen tool to add detail
Using your computers filemanagement tools 3
Varying your shots
Vi
1
Jtx
Videogame Repair
What do you want your image to say
What Equipment Do You Need
What to look for in a scanner
What you can do with a scanner
What you can do with Elements
What you can do with Fireworks
What you can do with Painter
What you can do with Photo Suite
Whats good about Microsoft image editors
Whats good about Painter
Whats in This Book
Whats not so good about Elements
Whats not so good about Photo Suite
Whats That Tree Doing Growing Out of My Head
When to break the Rule of Thirds
When Windows Explorer opens click the C drive icon see Figure
When you have more time
When your moving and clicking takes you back to the starting point click or doubleclick the starting point to finish the selection
Where to get Painter
Whom are you creating the image for
Why Do You Need Prints
Why Scan Film
With your faded image open onscreen choose LayerONew Adjustment LayerOColor Balance from the main menu bar
Working as a professional newspaper photographer
Working with Color Intensity and Quality
Working with My Computer
Working with the Pencil tool
Writing outlines
Y i a
You can repeat the process for further adjustments or press CtrlZ D on the Mac to undo it if you dont like the results
You cant add color that isnt thereBook V
Your main subject matter is too large to fit comfortably at one of the imaginary intersection points You might find that positioning an object

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