See The World Differently
Art and Photography from Chronicle Books RIGHT Portraits from the Evangelical Ivy League Essays by Hanna Rosin and Colin Westerbeck 35.00 hc Essay by William L. Fox, Steven Pyne ODYSSEY The Photographs of Linda Connor Essay by William L. Fox Interview with Robert Adams and Emmet Gowin THE SOVIET IMAGE A Hundred Years of Photographs from Inside the TASS Archives Peter Radetsky 50.00 hc
Museum And Notforprofit
The Corcoran Gallery of Art and College of Art + Design in downtown D.C. will begin restoration of the roof of its historic 1897 Beaux-Arts building in late January 2009. The Corcoran Gallery of Art, 17th Street and New York Avenue, Washington. DC 20006, (202) 639-1700, or www.corcoran.org. Thanks to New York City's Percent for Art law, 58 framed photographs by photographers Frank Gohlke and Joel Sternfeld, many 4 feet by 5 1 2 feet in size, now hang throughout Powdermaker Hall, the Social...
Four Friends Gallery
FEATURING fine art photography of the nineteenth, twenteith, and twenty-first centuries Asian, Himalayan and Latin American tribal, ethnic and outsider art Native American antiquities REPRESENTING Brett Weston, Joyce Tenneson, Bruce Barnbaum, Chad Strobach, Stu Levy, Don Kirby, Ansel Adams, Larry Janss, Edward S Curtis, George Bernard, Timothy H O'Sullivan, Camera Works 1408 E. Thousand Oaks Blvd. Thousand Oaks, CA 91362 805.497.4022 info fourfriendsgallery.com www.fourfriendsgallery.com
St Editions
Alfred Stieglitz's Camera Work is like our hominid ancestor Lucy the progenitor of all modern photography publications. With its tipped-in photogravure plates, its intelligent text by leading critics and writers of the day, and its modern design, Camera Work not only presented photography as a fine art, but was a work of art in itself. While the example of Camera Work was certainly an influence on the journals and books published by 21ST Editions, in many ways what 21ST has done is...
Ller
She was out in the garden pulling weeds, Schiller recalls. The next morning a phone call told him she was dead. Schiller's image of DiMaggio at Marilyn's funeral might have been the end of Schiller's Marilyn story, but there were to be two other chapters, including the current interest in all of his photographic work from forty years ago. The first of these additional chapters came along ten years later Schiller, a natural-born storyteller recalls it this way The way the...
Carole Naggar
Young Monks Practice Their Motet, 2000 Young Monks Practice Their Motet, 2000 under the moonlight. All of a sudden, ething on the path caught my attention, w grains of raw corn. I picked them up h such a joy, put them into my mouth and rted chewing while walking. More grains corn were discovered So I kept picking and enjoying this delicious food given by ven. Thus, I gradually recovered. The truth s that a horse caravan with loads of corn sed by a while ago, and one of the sacks opened to have...
F
Diane Arbus talked about the gap between intention and effect in portraiture. People put on make-up and adorn themselves because they want to create an effect and give a certain impression, but often other people look at them and say it's tragic or comical or curious or funny or odd. Arbus photographed a woman on Park Avenue trying to make a statement with her appearance, but in fact we see through it, we see the folly. Portraiture can be that kind of sharp critique....
New York
Zhang Huan was born in 1965 in Anyang, in the Henan province and moved to Beijing in 1991. There he became part of a group of radical artists and gained notoriety for his photographs and his performance work, most of which took place in the artist enclave known as the East Village. As of 1998, when he was invited to New York by the Asia Society, he has performed internationally in a large number of venues in many cities New York, Seattle, Cincinnati, Boston, Ghent, Santiago, Yokohama, Hamburg,...
Photographs From The Gallery Collection
William Garnett, Train Crossing Desert, Kelso California, 1975 Wright Morris, White Barn, Connecticut, 1940 William Garnett, Train Crossing Desert, Kelso California, 1975 Wright Morris, White Barn, Connecticut, 1940 George Tice, Sunrise, New York, 1971 Brett Weston, Clouds, Roofs and Poles, San Francisco, 1933 George Tice, Sunrise, New York, 1971 Brett Weston, Clouds, Roofs and Poles, San Francisco, 1933 Scott Nichols Gallery has an outstanding co classic and contemporary photograph 21st...
Focus Gallery
12 Tannery Brook Rd, Woodstock, NY 12498 845-679-0027 www.galeriebmg.com Fri-Mon 11-6 or by appt. Presented by Cavalier Galleries, Inc. 405 Greenwich Ave., Greenwich, CT 06830 2 PM UCONN Stamford Gen Re Auditorium For additional information please contact the gallery at 203.869.3664 art cavaliergalleries.com www.cavaliergalleries.com Image Steve McCurry Geisha In Subway ilfochrome photograph IjAI A IuLu'IINL David Spivak President and Publisher Anthony Bannon, John A. Bennette Contributing...
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March 26-29, 2009 Park Avenue Armory Gala Benefit Preview March 25, John Szarkowski Fund Endowment for Photography Acquisitions, The Museum of Modern Art Andrew Moore, Duffy Square, Times Square, New York, 2002 The Association of International Photography Art Dealers Andy Warhol, 1986 Robert Mapplethorpe Foundation. Used by Permission. Christie's Inc. 2009 Principal Auctioneer Christopher Burge 761543 ROBERT MAPPLETHORPE 1946-1989 Andy Warhol, 1986 gelatin silver print 19 14x 19 14 in. 48.9 x...
