Mp Olympus E620 Dslr



Saturday 7 March 2009

Brilliant conversions

Nikon D3x Black

At the heart of the image

Nikon ih\W The 24.5 megapixel Nikon D3x with FX format sensor. RRP £5999.99

» p\ The perfect combination of quality and flexibility. A studio DSLR that's just at home on location. 24.5 megapixel FX format sensor. lNTTJ 100-1600 ISO [50-6400 equivalence). 51 point AF system (15 cross type). Up to 5fps FX format, and 7fps DX format. 0.12 sec start-up. 0.04


er lag. 3 inch VGA TFT LCD 920K dot monitor. Dual CompactFlash card slot. Advanced in-camera editing. Body only RRP £5999.99. Welcome to Nikon.

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For 2 year warranty on any camera and lens kit simply register your new Nikon purchase. Call 0800 ¿08 5060 or visit

From the Editor

Amateur Photographer For everyone who loves photography

News, views and reviews

5 News cover story

Olympus launches 12.3MP E-620 digital SLR, Ricoh reveals CXI digital compact; Canon unwraps £119 high-resolution film scanner

11 Review

The latest books, exhibitions and websites

14 Letters

AP readers speak out on the week's issues

15 Backchat

AP reader Steve Smith explains why he is a fully paid-up member of the digital revolution

98 The final frame

Roses are red, violets are blue... unless you shoot in black & white, says Gabriel Fuchs


16 Photo insight

Clive Nichols looks at the magic of frost

20 The last resort cover story

Chris Gatcum shows you how to transform your colour pictures into stunning infrared-style shots

On test and technical

49 Testbench

Lensbaby Creative Aperture kit and Transcend StoreJet 25F 500GB hard drive

50 Nik Silver Efex Pro

Barney Britton tests a plug-in that replicates the classic look of black & white

53 Converting to black & white cover story

Richard Sibley shows you how to convert your images to black & white using Adobe Photoshop's Channel Mixer

Send us your pictures

To have your pictures published in Gallery, send in a selection of up to ten images. They can be either a selection of different images or all have the same theme. Digital files sent on CD should be saved in a Photoshop-compatible format, such as JPEG or TIFF, with a contact sheet and submission form. See the features sidebar on the right-hand side of our homepage at for details. We cannot publish images without the necessary technical details. Each RGB image should be a minimum of 2480 pixels along its longest length. Transparencies and prints are also accepted. We recommend that transparencies are sent without glass mounts and posted via Special Delivery. For transparencies, prints or discs to be returned you must include an SAE with sufficient postage.

59 Digital toning cover story

Angela Nicholson explains how to inject extra atmosphere into your digital mono images

62 Q&A

Our experts answer your questions

66 All about infrared cover story Geoffrey Crawley looks at infrared film and tests the new Efke IR 820 Aura 68 Exposing for digital black & white landscapes Use your camera's histogram to help achieve a full range of tones when shooting landscapes that you want to convert to black & white

Your pictures 33 APOY Round 2

Win a share of £25,000 of Canon gear in our fantastic competition

37 Gallery

Another selection of superb reader images

46 Appraisal

Damien Demolder examines your images, offering words of wisdom and advice


22 RuleBretagne cover story

Philippe Marchand talks to AP's Jeff Meyer about why he believes his native Brittany is best captured in panoramic monochrome 2 7 Exposing the lith myth cover story Tim Rudman on how to capture captivating monochrome photographs using lith printing

42 Icons of photography

David Clark looks at the life and work of Don McCulhn, one of Britain's greatest photographers

Our address and other contact details

Amateur Photographer,

IPC Media, Blue Fin Building,

110 Southwark Street, London SE10SU

AP Editorial Telephone: 0203148 4138 Fax 0203148 8130

[email protected]

AP Advertising Telephone: 0203148 2516

Email [email protected]

AP Subscriptions Telephone: 0845 676 7778

Email [email protected]

AP test reports Telephone: 01707 273 773

The mystery of black & white

It hardly makes sense, does it, that after all the years of hard graft put in by emulsion scientists and then digital engineers, there should still be millions of photographers around the world who like to shoot in black & white. No one I know owns a black & white TV, or prefers a black & white newspaper, or lives in a colour-free house, so why should we even be prepared to look at a black & white photograph - let alone want to create one ourselves?

Of course, it does make sense, because black & white images can speak to us in a different way and make us feel differently from the way colour pictures impact on us. Being black & white, however, is no direct route to coolness, supreme style or a deeper meaning in itself, as colour images are capable of that. Colourless pictures are just as capable of being tacky, too.

Done well, black & white images seem to have that certain edge, that something extra, and a reversed integrity that somehow affords greater truth and credibility to something that, by definition, conceals a significant aspect of what it represents. I suppose that is one of the attractions, along with the simplicity and removed nature - it presents a mystery that somehow makes everything clearer.

Our question (pf the week

In AP 21 February we asked...

If you could Improve one aspect of your current kit, which of these would it be?

You answered..

A. More pixels 9%

B. Less noise 33%

C. Better lenses 58%

The picture I am most proud of taking is:

Vote online

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  • consuelo boni
    How to create brilliant pictures with channel mixer in photoshop?
    8 years ago

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